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Tom Leighton
Portfolio
City Constructs
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Architecture
Conceptual
NFTs
Bio
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City Constructs Works
Aviary Series
Contact
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A vibrant aerial night view of Times Square, New York City, illuminated with colorful billboards, advertisements, and bright lights reflecting off the bustling streets below filled with cars. View fullsize
Two photographs placed side by side. The left photo shows a mirrored street scene with red double-decker buses and buildings in London, featuring a reflective glass surface on a rooftop. The right photo depicts a large city square with numerous peopl View fullsize
Nighttime scene of a crowded Berlin fairground with colorful lights, tents, and rides, under dark, cloudy skies. View fullsize
Black and white photo of Oxford Street in London showing a busy intersection with cars, buses, and pedestrians, surrounded by tall historic buildings and a cloudy sky. View fullsize
Senso View fullsize
A vibrant aerial night view of Times Square, New York City, illuminated with colorful billboards, advertisements, and bright lights reflecting off the bustling streets below filled with cars.
Two photographs placed side by side. The left photo shows a mirrored street scene with red double-decker buses and buildings in London, featuring a reflective glass surface on a rooftop. The right photo depicts a large city square with numerous peopl
Nighttime scene of a crowded Berlin fairground with colorful lights, tents, and rides, under dark, cloudy skies.
Black and white photo of Oxford Street in London showing a busy intersection with cars, buses, and pedestrians, surrounded by tall historic buildings and a cloudy sky.
Senso

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Chemical Shore
Variegation 

I’ve been working with foliage again, pushing colour to a point where it starts to feel less like the plants surface and more like internal energy. 

Once photosynthesis stops, there’s a shift into respiration. This work cam
These colour experiments were created using depth, roughness and fast maps captured on a METIS scanner at @thelogicalchoicestudio - Used as masks for adjustment layers in Photoshop, they produced some precise and unexpected results.
Colour potential is the first thing I look for when I am choosing my raw photos to work on. I am mostly accentuating and pushing what is already there rather than introducing something completely new.