Skip to Content
Tom Leighton
Portfolio
City Constructs
Geology
Zoology
Botanical
Architecture
Conceptual
NFTs
Bio
News
Links
City Constructs Works
Aviary Series
Contact
0
0
Tom Leighton
Portfolio
City Constructs
Geology
Zoology
Botanical
Architecture
Conceptual
NFTs
Bio
News
Links
City Constructs Works
Aviary Series
Contact
0
0
Folder: Work
Back
Portfolio
City Constructs
Geology
Zoology
Botanical
Architecture
Conceptual
NFTs
Bio
News
Links
Folder: Artwork Sales
Back
City Constructs Works
Aviary Series
Contact
A magazine cover titled "The Style Pages" with a subtitle "Grown-up and glamorous... who wouldn't want to live here?" featuring an interior photo of a pink velvet chaise lounge, a small side table with decorative items, and framed artwork on a white
Interior of a bright dining and sitting room with modern decor. Top: A woman in a blue blouse and yellow skirt sitting on a black-and-white patterned bench at a white table with red chairs around it, pink vintage chairs in the sitting area, artwork o
The Times Tom Leighton Feature
A black-and-white framed aerial cityscape photograph hangs on a white wall over a dark red console table. On the console table, there is a vase with pink orchids, several framed photographs, a small black cup, and a colorful ceramic figurine of a fac
Interior of a bedroom and a bathroom in a house, with a chandelier hanging from the ceiling in the bedroom.

 Back to Publications

Work NFTs‍ ‍ Bio‍ ‍News‍ ‍Contact

Newsletter

Subscribe for info about work & exhibitions

Thank you for subscribing!

Follow on Instagram

Chemical Shore
Variegation 

I’ve been working with foliage again, pushing colour to a point where it starts to feel less like the plants surface and more like internal energy. 

Once photosynthesis stops, there’s a shift into respiration. This work cam
These colour experiments were created using depth, roughness and fast maps captured on a METIS scanner at @thelogicalchoicestudio - Used as masks for adjustment layers in Photoshop, they produced some precise and unexpected results.
Colour potential is the first thing I look for when I am choosing my raw photos to work on. I am mostly accentuating and pushing what is already there rather than introducing something completely new.